Soft-Rock
Le soft-rock est un terme à géométrie variable et parfois galvaudé du fait qu'il a pu avoir des significations différentes selon les périodes. Toutefois, de façon générale, tous ces différents courants ont un fil conducteur : une musique apaisée, mélodique, qui prend l'exact contre-pied du hard rock. Le soft-rock est plus assimilable à de la pop qu'à du rock. Toutefois, contrairement à la pop de l'époque pré-rock'n'roll, les racines du soft-rock se trouvent bel et bien dans le rock, même si dans une version accessible à un grand public dont les radios ont souvent raffolé.
On emploie souvent divers synonymes (plus ou moins exacts) pour qualifier ce genre musical : il fait donc souvent parti du FM Rock ou Album Rock, et parfois à tort west coast rock car le soft-rock n'est pas l'apanage de la scène californienne. Son univers est souvent proche de celui du jazz-rock fusion (voir du smooth jazz et de la soul contemporaine Quiet Storm) du fait qu'on retrouve souvent les mêmes musiciens de studio dans les deux genres et que certains membres de groupes de soft-rock s'avèrent être de très bons musiciens de jazz. Le soft-rock est aussi caractérisé par un état d'esprit "cool" et optimiste, qui tranche avec les thèmes contestataires et politiquement engagés de nombreux groupes de rock, ce qui sera à la fois une des raisons de son succès auprès du grand public et du mépris que les critiques de rock auront à son égard, le considérant comme commercial.
Le soft-rock est né au début des années 1970. Au départ, il désignait surtout une forme de folk-rock très axée sur la mélodie, moins "roots" et plus pop que le format d'origine. On compte parmi les premiers artistes du genre des groupes comme America, Crosby, Stills & Nash, Seals & Croft, Fleetwood Mac ou les Eagles ainsi que des auteurs-compositeurs-interprètes (songwriters, en anglais) tels que James Taylor, Dan Fogelberg ou Neil Young (bien qu'il soit impensable de mettre toute la discographie de ce dernier au compte du soft-rock, son très célèbre "Harvest" en est un des albums phares). En revanche, certains groupes comme Steely Dan ou Chicago ont fusionné le rock avec des sonorités jazz et funk, rendant l'équation soft-rock = folk-rock inexacte. 
Des artistes anglais comme Elton John, Rod Stewart et d'autres venant de grands groupes britanniques, américains ou canadiens tombent exactement dans le genre, citons quelques exemples : (Paul McCartney, John Lennon, George Harrison, Sting, Phil Collins, Stevie Nicks, Don Henley, Burton Cummings etc...).
De plus, avec l'arrivée de groupes utilisant des sonorités moins organiques comme le synthétiseur, le soft-rock va peu à peu s'éloigner définitivement de ses racines folk-rock, notamment avec des groupes comme Supertramp ou Toto. Ironiquement, beaucoup de groupes soft-rock comptent dans leur répertoire des titres avoisinant le hard-rock (c'est le cas de "Life In The Fast Lane" des Eagles par exemple) et l'inverse est d'ailleurs vrai (Led Zeppelin, par exemple, a fait de nombreux titres soft-rock). Enfin, d'une certaine façon, et c'est sûrement pour cette raison que ce genre est très controversé et n'a jamais eu le respect des critiques rock, le soft-rock a jeté les bases de la pop "adult contemporary", c'est-à-dire la variété anglo-saxonne telle que nous la connaissons aujourd'hui à travers les Phil Collins et autre Bryan Adams. On doit cela à des artistes comme Christopher Cross. Cependant, le soft-rock et l'Adult Contemporary sont bien deux genres distincts.
Elton John ''Tiny Dancer''
Les artistes les plus représentatifs du genre (par ordre alphabétique)
|
|
Les 400 meilleures chansons
|
1 |
1976 |
EAGLES, THE |
HOTEL CALIFORNIA |
|
2 |
1971 |
LENNON, JOHN |
IMAGINE |
|
3 |
1977 |
FLEETWOOD MAC |
GO YOUR OWN WAY |
|
4 |
1971 |
STEWART, ROD |
MAGGIE MAE |
|
5 |
1978 |
DIRE STRAITS |
SULTANS OF SWING |
|
6 |
1971 |
McLEAN, DON |
AMERICAN PIE |
|
7 |
1967 |
MORRISON, VAN |
BROWN EYED GIRL |
|
8 |
1985 |
DIRE STRAITS |
MONEY FOR NOTHING |
|
9 |
1970 |
JOHN, ELTON |
YOUR SONG |
|
10 |
1973 |
JOHN, ELTON |
GOODBYE YELLOW BRICK ROAD |
|
11 |
1975 |
FLEETWOOD MAC |
RHIANNON |
|
12 |
1970 |
HARRISON, GEORGE |
MY SWEET LORD |
|
13 |
1972 |
YOUNG, NEIL |
HEART OF GOLD |
|
14 |
1975 |
EAGLES, THE |
ONE OF THESE NIGHTS |
|
15 |
1971 |
JOHN, ELTON |
TINY DANCER |
|
16 |
1977 |
FLEETWOOD MAC |
DREAMS |
|
17 |
1968 |
CAMPBELL, GLEN |
WICHITA LINEMAN |
|
18 |
1970 |
MORRISON, VAN |
MOONDANCE |
|
19 |
1972 |
STEELY DAN |
REELING IN THE YEARS |
|
20 |
1973 |
JOHN, ELTON |
BENNY AND THE JETS |
|
21 |
1970 |
TAYLOR, JAMES |
FIRE AND RAIN |
|
22 |
1972 |
JOHN, ELTON |
ROCKET MAN |
|
23 |
1981 |
COLLINS, PHIL |
IN THE AIR TONIGHT |
|
24 |
1984 |
HENLEY, DON |
BOYS OF SUMMER |
|
25 |
1975 |
10CC |
I'M NOT IN LOVE |
|
26 |
1973 |
JOHN, ELTON |
FUNERAL FOR A FRIEND / LOVE LIES BLEEDING |
|
27 |
1974 |
SUPERTRAMP |
SCHOOL |
|
28 |
1974 |
STEELY DAN |
RIKKI DON'T LOSE THAT NUMBER |
|
29 |
1973 |
DOOBIE BROTHERS, THE |
CHINA GROVE |
|
30 |
1972 |
STEELY DAN |
DO IT AGAIN |
|
31 |
1972 |
EAGLES, THE |
TAKE IT EASY |
|
32 |
1970 |
LENNON, JOHN |
INSTANT KARMA! |
|
33 |
1987 |
JOHN, ELTON |
CANDLE IN THE WIND (live) |
|
34 |
1975 |
EAGLES, THE |
TAKE IT TO THE LIMIT |
|
35 |
1974 |
SUPERTRAMP |
BLOODY WELL RIGHT |
|
36 |
1981 |
JOURNEY |
WHO'S CRYING NOW |
|
37 |
1991 |
ADAMS, BRYAN |
EVERYTHING I DO I DO IT FOR YOU |
|
38 |
1975 |
WRIGHT, GARY |
DREAM WEAVER |
|
39 |
1973 |
EAGLES, THE |
DESPERADO |
|
40 |
1973 |
FLACK, ROBERTA |
KILLING ME SOFTLY WITH HIS SONG |
|
41 |
1976 |
EAGLES, THE |
LIFE IN THE FAST LANE |
|
42 |
1970 |
GREENBAUM, NORMAN |
SPIRIT IN THE SKY |
|
43 |
1985 |
DIRE STRAITS |
SO FAR AWAY |
|
44 |
1970 |
McCARTNEY, PAUL |
MAYBE I'M AMAZED |
|
45 |
1977 |
BROWNE, JACKSON |
STAY / THE LOAD-OUT (live) |
|
46 |
1974 |
DOOBIE BROTHERS, THE |
BLACK WATER |
|
47 |
1971 |
KING, CAROLE |
IT'S TOO LATE |
|
48 |
1970 |
CHICAGO |
25 OR 6 TO 4 |
|
49 |
1972 |
EAGLES, THE |
WITCHY WOMAN |
|
50 |
1975 |
FLEETWOOD MAC |
SAY YOU LOVE ME |
|
51 |
1976 |
GENESIS |
RIPPLES |
|
52 |
1974 |
SUPERTRAMP |
HIDE IN YOUR SHELL |
|
53 |
1973 |
McCARTNEY, PAUL & WINGS |
JET |
|
54 |
1974 |
SUPERTRAMP |
DREAMER |
|
55 |
1969 |
COCKER, JOE |
WITH A LITTLE HELP FROM MY FRIENDS |
|
56 |
1970 |
CARPENTERS, THE |
WE'VE ONLY JUST BEGUN |
|
57 |
1973 |
McCARTNEY, PAUL & WINGS |
BAND ON THE RUN |
|
58 |
1986 |
COLLINS, PHIL |
TAKE ME HOME |
|
59 |
1984 |
ADAMS, BRYAN |
SUMMER OF 69 |
|
60 |
1981 |
NICKS, STEVIE |
EDGE OF SEVENTEEN |
|
61 |
1977 |
SUPERTRAMP |
FOOL'S OVERTURE |
|
62 |
1972 |
SIMON, CARLY / JAGGER, MICK |
YOU'RE SO VAIN |
|
63 |
1973 |
JOEL, BILLY |
PIANO MAN |
|
64 |
1972 |
RUNDGREN, TODD |
I SAW THE LIGHT |
|
65 |
1979 |
SUPERTRAMP |
THE LOGICAL SONG |
|
66 |
1981 |
JOURNEY |
DON'T STOP BELIEVIN' |
|
67 |
1970 |
MORRISON, VAN |
INTO THE MYSTIC |
|
68 |
1981 |
CARNES, KIM |
BETTE DAVIS EYES |
|
69 |
1971 |
FIVE MAN ELECTRICAL BAND |
SIGNS |
|
70 |
1973 |
THOMAS, IAN |
PAINTED LADIES |
|
71 |
1973 |
McCARTNEY, PAUL & WINGS |
LIVE AND LET DIE |
|
72 |
1972 |
DOOBIE BROTHERS, THE |
LISTEN TO THE MUSIC |
|
73 |
1968 |
MORRISON, VAN |
MADAME GEORGE |
|
74 |
1977 |
BROWNE, JACKSON |
RUNNING ON EMPTY |
|
75 |
1972 |
NILSSON |
WITHOUT YOU |
|
76 |
1967 |
CAMPBELL, GLEN |
BY THE TIME I GET TO PHOENIX |
|
77 |
1978 |
STEWART, ROD |
DA YA THINK I'M SEXY? |
|
78 |
1977 |
JOEL, BILLY |
JUST THE WAY YOU ARE |
|
79 |
1985 |
STING |
IF YOU LOVE SOMEBODY |
|
80 |
1977 |
RAFFERTY, GERRY |
BAKER STREET |
|
81 |
1978 |
TOTO |
HOLD THE LINE |
|
82 |
1984 |
ADAMS, BRYAN |
RUN TO YOU |
|
83 |
1976 |
JEFFREYS, GARLAND |
SPANISH TOWN |
|
84 |
1983 |
ADAMS, BRYAN |
CUTS LIKE A KNIFE |
|
85 |
1974 |
LENNON, JOHN |
#9 DREAM |
|
86 |
1975 |
RONSTADT, LINDA |
YOU'RE NO GOOD |
|
87 |
1971 |
LENNON, JOHN |
JEALOUS GUY |
|
88 |
1981 |
GENESIS |
ABACAB |
|
89 |
1975 |
SIMON, PAUL |
50 WAYS TO LEAVE YOUR LOVER |
|
90 |
1971 |
KING, CAROLE |
I FEEL THE EARTH MOVE |
|
91 |
1980 |
LENNON, JOHN |
(JUST LIKE) STARTING OVER |
|
92 |
1975 |
JOHN, ELTON |
PHILADELPHIA FREEDOM |
|
93 |
1977 |
PARSONS, ALAN PROJECT |
BREAKDOWN |
|
94 |
1976 |
HALL & OATES |
SHE'S GONE |
|
95 |
1986 |
SIMON, PAUL |
GRACELAND |
|
96 |
1982 |
HENLEY, DON |
DIRTY LAUNDRY |
|
97 |
1973 |
DOOBIE BROTHERS, THE |
LONG TRAIN RUNNIN' |
|
98 |
1981 |
NICKS, STEVIE / PETTY, TOM |
STOP DRAGGIN' MY HEART AROUND |
|
99 |
1976 |
STEWART, ROD |
TONIGHT'S THE NIGHT |
|
100 |
1970 |
FLEETWOOD MAC |
HYPNOTIZED |
|
101 |
1971 |
KING, CAROLE |
YOU'VE GOT A FRIEND |
|
102 |
1970 |
COCKER, JOE |
THE LETTER (live) |
|
103 |
1977 |
FLEETWOOD MAC |
THE CHAIN |
|
104 |
1977 |
FLEETWOOD MAC |
GOLD DUST WOMAN |
|
105 |
1977 |
SUPERTRAMP |
GIVE A LITTLE BIT |
|
106 |
1977 |
FLEETWOOD MAC |
YOU MAKE LOVING FUN |
|
107 |
1974 |
EAGLES, THE |
ALREADY GONE |
|
108 |
1979 |
EAGLES, THE |
THE LONG RUN |
|
109 |
1972 |
AMERICA |
A HORSE WITH NO NAME |
|
110 |
1978 |
DOOBIE BROTHERS, THE |
WHAT A FOOL BELIEVE |
|
111 |
1971 |
STEWART, ROD |
EVERY PICTURE TELLS A STORY |
|
112 |
1973 |
STEALERS WHEEL |
STUCK IN THE MIDDLE WITH YOU |
|
113 |
1971 |
JOHN, ELTON |
LEVON |
|
114 |
1980 |
GENESIS |
MISUNDERSTANDING |
|
115 |
1979 |
SUPERTRAMP |
BREAKFAST IN AMERICA |
|
116 |
1981 |
HALL & OATES |
I CAN'T GO FOR THAT (NO CAN DO) |
|
117 |
1972 |
YOUNG, NEIL |
OLD MAN |
|
118 |
1969 |
LENNON, JOHN |
COLD TURKEY |
|
119 |
1977 |
STEELY DAN |
DEACON BLUES |
|
120 |
1979 |
EAGLES, THE |
HEARTACHE TONIGHT |
|
121 |
1985 |
HENLEY, DON |
ALL SHE WANTS TO DO IS DANCE |
|
122 |
1980 |
GENESIS |
TURN IT ON AGAIN |
|
123 |
1969 |
COCKER, JOE |
FEELING ALLRIGHT |
|
124 |
1978 |
JOURNEY |
FEELIN' THAT WAY |
|
125 |
1977 |
FLEETWOOD MAC |
DON'T STOP |
|
126 |
1976 |
EAGLES, THE |
NEW KID IN TOWN |
|
127 |
1972 |
BROWNE, JACKSON |
DOCTOR MY EYES |
|
128 |
1977 |
STEELY DAN |
PEG |
|
129 |
1971 |
MORRISON, VAN |
WILD NIGHT |
|
130 |
1979 |
EAGLES, THE |
THOSE SHOES |
|
131 |
1979 |
SUPERTRAMP |
GOODBYE STRANGER |
|
132 |
1979 |
FLEETWOOD MAC |
TUSK |
|
133 |
1983 |
NICKS, STEVIE |
STAND BACK |
|
134 |
1972 |
JOHN, ELTON |
CROCODILE ROCK |
|
135 |
1976 |
SCAGGS, BOZ |
LOWDOWN |
|
136 |
1985 |
DIRE STRAITS |
WALK OF LIFE |
|
137 |
1969 |
LENNON, JOHN |
GIVE PEACE A CHANCE |
|
138 |
1972 |
FIVE MAN ELECTRICAL BAND |
ABSOLUTELY RIGHT |
|
139 |
1968 |
MORRISON, VAN |
SWEET THING |
|
140 |
1971 |
THREE DOG NIGHT |
JOY TO THE WORLD |
|
141 |
1981 |
JOURNEY |
OPEN ARMS |
|
142 |
1975 |
EAGLES, THE |
LYIN' EYES |
|
143 |
1972 |
DOOBIE BROTHERS, THE |
JESUS IS JUST ALRIGHT |
|
144 |
1980 |
STEELY DAN |
HEY NINETEEN |
|
145 |
1967 |
BEE GEES, THE |
TO LOVE SOMEBODY |
|
146 |
1979 |
FLEETWOOD MAC |
SARA |
|
147 |
1971 |
JOHN, ELTON |
MADMAN ACROSS THE WATER |
|
148 |
1983 |
GENESIS |
HOME BY THE SEA |
|
149 |
1973 |
JOHN, ELTON |
HARMONY |
|
150 |
1972 |
STEWART, ROD |
YOU WEAR IT WELL |
|
151 |
1970 |
BADFINGER |
COME AND GET IT |
|
152 |
1971 |
TAYLOR, JAMES |
YOU'VE GOT A FRIEND |
|
153 |
1980 |
STEELY DAN |
MY OLD SCHOOL |
|
154 |
1977 |
10CC |
THE THINGS WE DO FOR LOVE |
|
155 |
1981 |
REO SPEEDWAGON |
TAKE IT ON THE RUN |
|
156 |
1971 |
STEWART, ROD |
I KNOW, I'M LOSING YOU |
|
157 |
1972 |
YOUNG, NEIL |
THE NEEDLE AND THE DAMGE DONE |
|
158 |
1970 |
STILLS, STEPHEN |
LOVE THE ONE YOU'RE WITH |
|
159 |
1987 |
STING |
WE'LL BE TOGETHER |
|
160 |
1979 |
JOURNEY |
LOVIN', TOUCHIN', SQUEEZIN' |
|
161 |
1972 |
JOHN, ELTON |
MONA LISAS AND MAD HATTERS |
|
162 |
1977 |
PARSONS, ALAN PROJECT |
I WOULDN'T WANT TO BE LIKE YOU |
|
163 |
1978 |
JOURNEY |
WHEEL IN THE SKY |
|
164 |
1972 |
JOHN, ELTON |
HONKY CAT |
|
165 |
1975 |
CAMPBELL, GLEN |
RHINESTONE COWBOY |
|
166 |
1976 |
CHILLIWACK |
FLY AT NIGHT |
|
167 |
1970 |
BADFINGER |
NO MATTER WHAT |
|
168 |
1984 |
ADAMS, BRYAN |
SOMEBODY |
|
169 |
1981 |
NICKS, STEVIE / HENLEY, DON |
LEATHER AND LACE |
|
170 |
1973 |
EAGLES, THE |
TEQUILA SUNRISE |
|
171 |
1970 |
CHICAGO |
DOES ANYBODY REALLY KNOW WHAT TIME… |
|
172 |
1969 |
DIAMOND, NEIL |
SWEET CAROLINE |
|
173 |
1980 |
LENNON, JOHN |
WATCHING THE WHEELS |
|
174 |
1978 |
GENESIS |
FOLLOW YOU FOLLOW ME |
|
175 |
1975 |
FLEETWOOD MAC |
OVER MY HEAD |
|
176 |
1969 |
THREE DOG NIGHT |
ONE |
|
177 |
1979 |
EAGLES, THE |
IN THE CITY |
|
178 |
1993 |
ADAMS, BRYAN |
PLEASE FORGIVE ME |
|
179 |
1989 |
HENLEY, DON |
THE END OF THE INNOCENCE |
|
180 |
1970 |
YOUNG, NEIL |
ONLY LOVE CAN BREAK YOUR HEART |
|
181 |
1991 |
ADAMS, BRYAN |
THOUGHT I'D DIE AND GONE TO HEAVEN |
|
182 |
1971 |
STEWART, ROD |
REASON TO BELIEVE |
|
183 |
1980 |
REO SPEEDWAGON |
KEEP ON LOVING YOU |
|
184 |
1973 |
SIMON, PAUL |
KODACHROME |
|
185 |
1973 |
JOHN, ELTON |
ALL THE GIRLS LOVE ALICE |
|
186 |
1975 |
WRIGHT, GARY |
LOVE IS ALIVE |
|
187 |
1975 |
STEELY DAN |
BLACK FRIDAY |
|
188 |
1972 |
EAGLES, THE |
PEACEFUL, EASY FEELING |
|
189 |
1980 |
SIMON, PAUL |
LATE IN THE EVENING |
|
190 |
1984 |
COLLINS, PHIL |
AGAINST ALL ODDS |
|
191 |
1982 |
COCKER, JOE |
UP WHERE WE BELONG |
|
192 |
1974 |
EAGLES, THE |
BEST OF MY LOVE |
|
193 |
1979 |
EAGLES, THE |
I CAN'T TELL YOU WHY |
|
194 |
1983 |
McCARTNEY, P. / JACKSON, M. |
SAY, SAY, SAY |
|
195 |
1973 |
JOHN, ELTON |
SATURDAY NIGHT'S ALRIGHT FOR FIGHTING |
|
196 |
1978 |
STEELY DAN |
FM |
|
197 |
1979 |
JOURNEY |
ANYWAY YOU WANT IT |
|
198 |
1982 |
McCARTNEY, P. / WONDER, S. |
EBONY AND IVORY |
|
199 |
1982 |
HALL & OATES |
MANEATER |
|
200 |
1986 |
SIMON, PAUL |
YOU CAN CALL ME AL |
|
201 |
1992 |
JOEL, BILLY |
THE RIVER OF DREAMS |
|
202 |
1978 |
GILDER, NICK |
HOT CHILD IN THE CITY |
|
203 |
1980 |
JOEL, BILLY |
IT'S STILL ROCK'N'ROLL TO ME |
|
204 |
1984 |
ADAMS, BRYAN |
HEAVEN |
|
205 |
1976 |
McCARTNEY, PAUL & WINGS |
SILLY LOVE SONG |
|
206 |
1980 |
DIAMOND, NEIL |
LOVE ON THE ROCKS |
|
207 |
1991 |
ADAMS, BRYAN |
CAN`T STOP THIS THING WE STARTED |
|
208 |
1982 |
PARSONS, ALAN PROJECT |
EYE IN THE SKY |
|
209 |
1980 |
LENNON, JOHN |
WOMAN |
|
210 |
1972 |
JOHN, ELTON |
DANIEL |
|
211 |
1980 |
JOHN, ELTON |
LITTLE JEANNIE |
|
212 |
1971 |
BADFINGER |
DAY AFTER DAY |
|
213 |
1974 |
JACKS, TERRY |
SEASONS IN THE SUN |
|
214 |
1971 |
STEWART, ROD |
MANDOLIN WIND |
|
215 |
1973 |
McCARTNEY, PAUL & WINGS |
MY LOVE |
|
216 |
1976 |
CARMEN, ERIC |
ALL BY MYSELF |
|
217 |
1983 |
JOEL, BILLY |
UPTOWN GIRL |
|
218 |
1990 |
MIDLER, BETTE |
FROM A DISTANCE |
|
219 |
1976 |
JOHN, ELTON / DEE, KIKI |
DON'T GO BREAKING MY HEART |
|
220 |
1983 |
JOEL, BILLY |
TELL HER ABOUT IT |
|
221 |
1989 |
JOEL, BILLY |
WE DIDN'T START THE FIRE |
|
222 |
1980 |
MIDLER, BETTE |
THE ROSE |
|
223 |
1977 |
SIMON, CARLY |
NOBODY DOES IT BETTER |
|
224 |
1977 |
HALL & OATES |
RICH GIRL |
|
225 |
1976 |
HALL & OATES |
SARA SMILE |
|
226 |
1970 |
THREE DOG NIGHT |
MAMA TOLD ME (NOT TO COME) |
|
227 |
1978 |
McCARTNEY, PAUL & WINGS |
WITH A LITTLE LUCK |
|
228 |
1978 |
JOEL, BILLY |
MY LIFE |
|
229 |
1982 |
FLEETWOOD MAC |
HOLD ME |
|
230 |
1989 |
MIDLER, BETTE |
WIND BENEATH MY WINGS |
|
231 |
1977 |
RONSTADT, LINDA |
BLUE BAYOU |
|
232 |
1972 |
STEWART, ROD |
TWISTIN' THE NIGHT AWAY |
|
233 |
1982 |
COLLINS, PHIL |
YOU CAN'T HURRY LOVE |
|
234 |
1991 |
GENESIS |
NO SON OF MINE |
|
235 |
1973 |
SIMON, PAUL |
LOVES ME LIKE A ROCK |
|
236 |
1977 |
STEWART, ROD |
YOU'RE IN MY HEART |
|
237 |
1978 |
VANNELLI, GINO |
I JUST WANNA STOP |
|
238 |
1973 |
CHICAGO |
JUST YOU 'N' ME |
|
239 |
1977 |
SIMON, PAUL |
SLIP SLIDIN' AWAY |
|
240 |
1985 |
COLLINS, PHIL |
SUSSUDIO |
|
241 |
1976 |
SEALS & CROFTS |
GET CLOSER |
|
242 |
1991 |
GENESIS |
I CAN'T DANCE |
|
243 |
1985 |
COLLINS, PHIL |
ONE MORE NIGHT |
|
244 |
1988 |
COLLINS, PHIL |
GROOVY KIND OF LOVE |
|
245 |
1970 |
CHICAGO |
COLOUR MY WORLD |
|
246 |
1984 |
JOHN, ELTON |
I GUESS THAT'S WHY THEY CALL IT THE BLUES |
|
247 |
1970 |
EDISON LIGHTHOUSE |
LOVE GROWS (WHERE MY ROSEMARY GOES) |
|
248 |
1975 |
McCARTNEY, PAUL & WINGS |
LETTING GO |
|
249 |
1981 |
EASTON, SHEENA |
FOR YOUR EYES ONLY |
|
250 |
1972 |
DIAMOND, NEIL |
SONG SUNG BLUE |
|
251 |
1976 |
STEWART, ROD |
THE KILLING OF GEORGIE (PART I AND II) |
|
252 |
1982 |
HALL & OATES |
ONE ON ONE |
|
253 |
1985 |
COLLINS, PHIL |
DON'T LOSE MY NUMBER |
|
254 |
1976 |
HEAD, MURRAY |
SAY IT AIN'T SO, JOE |
|
255 |
1972 |
LOGGINS & MESSINA |
YOUR MAMA DON'T DANCE |
|
256 |
1986 |
GENESIS |
LAND OF CONFUSION |
|
257 |
1983 |
JOURNEY |
FAITHFULLY |
|
258 |
1984 |
ADAMS, BRYAN |
KIDS WANNA ROCK |
|
259 |
1984 |
McCARTNEY, PAUL |
NO MORE LONELY NIGHTS |
|
260 |
1970 |
MORRISON, VAN |
DOMINO |
|
261 |
1973 |
McCARTNEY, PAUL & WINGS |
NINETEEN HUNDRED AND EIGHTY FIVE |
|
262 |
1979 |
JOHN, ELTON |
MAMA CAN'T BUY YOU LOVE |
|
263 |
1977 |
STEWART, ROD |
HOT LEGS |
|
264 |
1975 |
AMERICA |
SISTER GOLDEN HAIR |
|
265 |
1977 |
STEELY DAN |
AJA |
|
266 |
1975 |
JOHN, ELTON |
ISLAND GIRL |
|
267 |
1970 |
MORRISON, VAN |
AND IT STONED ME |
|
268 |
1972 |
DOOBIE BROTHERS, THE |
ROCKIN' DOWN THE HIGHWAY |
|
269 |
1975 |
RONSTADT, LINDA |
WHEN WILL I BE LOVED |
|
270 |
1970 |
STEVENS, CAT |
FATHER AND SON |
|
271 |
1976 |
McCARTNEY, PAUL & WINGS |
LET 'EM IN |
|
272 |
1976 |
STEWART, ROD |
THE FIRST CUT IS THE DEEPEST |
|
273 |
1977 |
CLIMAX BLUES BAND |
COULDN'T GET IT RIGHT |
|
274 |
1974 |
SUPERTRAMP |
RUDY |
|
275 |
1974 |
STEVENS, CAT |
ANOTHER SATURDAY NIGHT |
|
276 |
1975 |
McCARTNEY, PAUL & WINGS |
LISTEN TO WHAT THE MAN SAID |
|
277 |
1970 |
JOHN, ELTON |
SIXTY YEARS ON |
|
278 |
1982 |
JOEL, BILLY |
ALLENTOWN |
|
279 |
1975 |
PARSONS, ALAN PROJECT |
THE RAVEN |
|
280 |
1974 |
FLACK, ROBERTA |
FEEL LIKE MAKIN' LOVE |
|
281 |
1977 |
TAYLOR, JAMES |
HANDY MAN |
|
282 |
1986 |
GENESIS |
INVISIBLE TOUCH |
|
283 |
1974 |
SIMON, CARLY / TAYLOR, JAMES |
MOCKINGBIRD |
|
284 |
1984 |
JOHN, ELTON |
SAD SONGS (SAY SO MUCH) |
|
285 |
1981 |
DIAMOND, NEIL |
AMERICA |
|
286 |
1987 |
FLEETWOOD MAC |
LITTLE LIES |
|
287 |
1972 |
STEVENS, CAT |
MORNING HAS BROKEN |
|
288 |
1975 |
PARSONS, ALAN PROJECT |
(THE SYST. OF) DR. TARR & PROF. FETHER |
|
289 |
1978 |
10CC |
DREADLOCK HOLIDAY |
|
290 |
1970 |
HARRISON, GEORGE |
BEWARE OF DARKNESS |
|
291 |
1975 |
STEWART, ROD |
SAILING |
|
292 |
1982 |
FLEETWOOD MAC |
GYPSY |
|
293 |
1971 |
CHICAGO |
BEGINNINGS |
|
294 |
1977 |
DOUCETTE |
MAMA LET HIM PLAY |
|
295 |
1979 |
EAGLES, THE |
THE DISCO STRANGLER |
|
296 |
1974 |
McCARTNEY, PAUL & WINGS |
JUNIOR'S FARM |
|
297 |
1991 |
ADAMS, BRYAN |
DO I HAVE TO SAY THE WORDS ? |
|
298 |
1971 |
KING, CAROLE |
(YOU MAKE ME FEEL LIKE) A NATURAL WOMAN |
|
299 |
1974 |
JOHN, ELTON |
SOMEONE SAVED MY LIFE TONIGHT |
|
300 |
1976 |
STEELY DAN |
KID CHARLEMAGNE |
|
301 |
1970 |
JOHN, ELTON |
BORDER SONG |
|
302 |
1976 |
JOHN, ELTON |
SORRY SEEMS TO BE THE HARDEST WORD |
|
303 |
1971 |
SIMON, PAUL |
MOTHER AND CHILD REUNION |
|
304 |
1973 |
JOHN, ELTON |
THE BITCH IS BACK |
|
305 |
1974 |
YOUNG, NEIL |
WALK ON |
|
306 |
1980 |
JOEL, BILLY |
YOU MAY BE RIGHT |
|
307 |
1973 |
CHICAGO |
FEELIN' STRONGER EVERYDAY |
|
308 |
1975 |
JOHN, ELTON |
LUCY IN THE SKY WITH DIAMONDS |
|
309 |
1985 |
STING |
FORTRESS AROUND YOUR HEART |
|
310 |
1976 |
JOEL, BILLY |
NEW YORK STATE OF MIND |
|
311 |
1991 |
GENESIS |
HOLD ON MY HEART |
|
312 |
1972 |
SEALS & CROFTS |
SUMMER BREEZE |
|
313 |
1975 |
SUPERTRAMP |
AIN'T NOBODY BUT ME |
|
314 |
1970 |
JOHN, ELTON |
TAKE ME TO THE PILOT |
|
315 |
1972 |
AMERICA |
SANDMAN |
|
316 |
1983 |
JOHN, ELTON |
I'M STILL STANDING |
|
317 |
1986 |
JOEL, BILLY / CHARLES, RAY |
BABY GRAND |
|
318 |
1973 |
RUSSELLL, LEON |
JUMPING JACK FLASH / YOUNG BLOOD (live) |
|
319 |
1970 |
STEWART, ROD |
GASOLINE ALLEY |
|
320 |
1971 |
McCARTNEY, PAUL |
ANOTHER DAY |
|
321 |
1980 |
DIRE STRAITS |
EXPRESSO LOVE |
|
322 |
1986 |
GENESIS |
TONIGHT, TONIGHT, TONIGHT |
|
323 |
1974 |
VANNELLI, GINO |
PEOPLE GOTTA MOVE |
|
324 |
1974 |
AMERICA |
TIN MAN |
|
325 |
1987 |
ADAMS, BRYAN |
HEAT OF THE NIGHT |
|
326 |
1973 |
McCARTNEY, PAUL & WINGS |
LET ME ROLL IT |
|
327 |
1978 |
JOEL, BILLY |
BIG SHOT |
|
328 |
1989 |
JOEL, BILLY |
I GO TO EXTREMES |
|
329 |
1986 |
JOHN, ELTON |
NIKITA |
|
330 |
1972 |
STEWART, ROD |
I'D RATHER GO BLIND |
|
331 |
1972 |
CHILLIWACK |
CRAZY TALK |
|
332 |
1983 |
ADAMS, BRYAN |
TAKE ME BACK |
|
333 |
1974 |
CHICAGO |
I'VE BEEN SEARCHIN' SO LONG |
|
334 |
1976 |
SCAGGS, BOZ |
LIDO SHUFFLE |
|
335 |
1972 |
CHICAGO |
SATURDAY IN THE PARK |
|
336 |
1979 |
PARSONS, ALAN PROJECT |
DAMNED IF I DO |
|
337 |
1971 |
STEVENS, CAT |
MOON SHADOW |
|
338 |
1974 |
LENNON, JOHN |
WHATEVER GETS YOU THROUGH THE NIGHT |
|
339 |
1970 |
MORRISON, VAN |
COME RUNNING |
|
340 |
1983 |
COLLINS, PHIL |
I DON'T CARE ANYMORE |
|
341 |
1986 |
COCKER, JOE |
YOU CAN LEAVE YOUR HAT ON |
|
342 |
1970 |
CHICAGO |
MAKE ME SMILE |
|
343 |
1972 |
RUSSELLL, LEON |
TIGHT ROPE |
|
344 |
1971 |
SIMON, CARLY |
ANTICIPATION |
|
345 |
1982 |
JOHN, ELTON |
BLUE EYES |
|
346 |
1993 |
STING |
FIELDS OF GOLD |
|
347 |
1983 |
JOEL, BILLY |
THE LONGEST TIME |
|
348 |
1982 |
JOHN, ELTON |
EMPTY GARDEN (HEY HEY JOHNNY) |
|
349 |
1979 |
STEWART, JOHN |
GOLD |
|
350 |
1995 |
HENLEY, DON |
THE GARDEN OF ALLAH |
|
351 |
1987 |
FLEETWOOD MAC |
BIG LOVE |
|
352 |
1971 |
DIAMOND, NEIL |
I AM… I SAID |
|
353 |
1980 |
PARSONS, ALAN PROJECT |
TIME |
|
354 |
1977 |
JOEL, BILLY |
MOVIN' OUT (ANTHONY'S SONG) |
|
355 |
1972 |
COCKER, JOE |
HIGH TIME WE WENT |
|
356 |
1976 |
EAGLES, THE |
VICTIM OF LOVE |
|
357 |
1974 |
COCKER, JOE |
YOU ARE SO BEAUTIFUL |
|
358 |
1991 |
STING |
ALL THIS TIME |
|
359 |
1975 |
GARFUNKEL, ART |
I ONLY HAVE EYES FOR YOU |
|
360 |
1967 |
BEE GEES, THE |
NEW YORK MINING DISASTER 1941 |
|
361 |
1972 |
NILSSON |
COCONUT |
|
362 |
1976 |
STEWART, AL |
YEAR OF THE CAT |
|
363 |
1971 |
CHILLIWACK |
LONESOME MARY |
|
364 |
1971 |
STEVENS, CAT |
WILD WORLD |
|
365 |
1983 |
JOEL, BILLY |
AN INNOCENT MAN |
|
366 |
1989 |
GENESIS |
MAMA |
|
367 |
1983 |
ADAMS, BRYAN |
STRAIGHT FROM THE HEART |
|
368 |
1989 |
STEWART, ROD / ISLEY, RONALD |
THIS OLD HEART OF MINE |
|
369 |
1980 |
LENNON, JOHN |
I'M LOSING YOU |
|
370 |
1976 |
VANNELLI, GINO |
LOVE OF MY LIFE |
|
371 |
1978 |
JOEL, BILLY |
HONESTY |
|
372 |
1984 |
STEWART, ROD |
SOME GUYS HAVE ALL THE LUCK |
|
373 |
1989 |
COCKER, JOE |
WHEN THE NIGHT COMES |
|
374 |
1972 |
AMERICA |
I NEED YOU |
|
375 |
1980 |
STEWART, ROD |
PASSION |
|
376 |
1979 |
JOURNEY |
JUST THE SAME WAY |
|
377 |
1986 |
SIMON, PAUL |
DIAMONDS ON THE SOLE OF HER SHOES |
|
378 |
1988 |
STEWART, ROD |
FOREVER YOUNG |
|
379 |
1986 |
JOEL, BILLY |
A MATTER OF TRUST |
|
380 |
1977 |
WELCH, BOB |
EBONY EYES |
|
381 |
1974 |
DEE, KIKI |
I'VE GOT THE MUSIC IN ME |
|
382 |
1984 |
ADAMS, BRYAN / TURNER, TINA |
IT`S ONLY LOVE |
|
383 |
1988 |
STEWART, ROD |
LOST IN YOU |
|
384 |
1967 |
BEE GEES, THE |
(THE LIGHTS WENT OUT IN) MASSACHUSETTS |
|
385 |
1975 |
LENNON, JOHN |
STAND BY ME |
|
386 |
1977 |
JOEL, BILLY |
ONLY THE GOOD DIE YOUNG |
|
387 |
1989 |
JOHN, ELTON |
SACRIFICE |
|
388 |
1968 |
MORRISON, VAN |
ASTRAL WEEKS |
|
389 |
1966 |
DIAMOND, NEIL |
CHERRY, CHERRY |
|
390 |
1974 |
CHICAGO |
CALL ON ME |
|
391 |
1973 |
AMERICA |
VENTURA HIGHWAY |
|
392 |
1972 |
FIVE MAN ELECTRICAL BAND |
I'M A STRANGER HERE |
|
393 |
1984 |
STEWART, ROD |
INFATUATION |
|
394 |
1970 |
COCKER, JOE |
CRY ME A RIVER (live) |
|
395 |
1971 |
KING, CAROLE |
SO FAR AWAY |
|
396 |
1983 |
DIRE STRAITS |
ROMEO AND JULIET |
|
397 |
1975 |
DOOBIE BROTHERS, THE |
TAKE ME IN YOUR ARMS (ROCK ME) |
|
398 |
1977 |
JOEL, BILLY |
SHE'S ALWAYS A WOMAN |
|
399 |
1976 |
STEELY DAN |
DON'T TAKE ME ALIVE |
|
400 |
1987 |
FLEETWOOD MAC |
EVERYWHERE |
Les genres en relation avec le Soft-Rock